Yesterday at Unda Maris organ studio rehearsal the first thing I did before students started gathering was to practice and record my "Exsultavit", Op. 68: https://secrets-of-organ-playing.myshopify.com/products/exsultavit-op-68-2018-for-solo-organ-by-vidas-pinkevicius?_pos=1&_sid=c900a0201&_ss=r
However, in the middle of the livestream two students came in and started chatting rather noticeably so I deleted this video. During the rehearsal I assigned this piece to a new Erasmus student from the Netherlands and recorded a new noise-free video at the end of the session.
While I was in the mood to hear my own music performed by other people, Diana played the beginning of my "Super flumina Babylonis", Op. 15: https://secrets-of-organ-playing.myshopify.com/products/op-15-offertory-on-super-flumina-babylonis-2013?_pos=1&_sid=01cebd2a8&_ss=r
Alisa played Lemmens' short trio and she was ready for something new so I assigned my Mass for the 4th Sunday in Lent, Op. 6, starting with the Introit: https://secrets-of-organ-playing.myshopify.com/products/op-6-mass-for-the-4th-sunday-in-lent?_pos=2&_sid=cf5b2d211&_ss=r
Also while coming out of the studio I promised Diana I will try to compose the 6th part "Flutes" for my Organ ABC cycle so that she could start transcribing fingering from the video. James expressed a wish to record it in its entirety once I'm finished composing all 26 parts on Latin alphabet.