Art and Creativity: Success and the Importance of Perseverance and Staying the Course
Sometimes artists approach us at the gallery, wanting to know if we have any advice on "how to become successful," as an artist.
Of course, "success" is a pretty nebulous concept.
What does that even mean?
Do you mean commercial success, as in creating and selling art that supports your habit of expensive cars and designer drugs? Do you mean the success of fame and notoreity; getting to a point where people "know your name?" Do you mean the kind of success that implies that most times when you sit down to work, you can actually execute the idea you had, as you intended?
Before we can even consider one answer, we have to consider what "success" means, to you.
The Freedom to Create
In most cases, it seems that we primarily want "the freedom to create." Sure, the money is nice... but it's a pretty cold mistress.
When we look at the artists who have that freedom in their lives, as much as anything they seem to have gotten there as a result of considerable perseverance.
A couple of months back, I had a long conversation with one of our must successful and "visible" artists... she's loving her life, and having a great time doing what she's doing. Her life isn't without rough spots and occasional "creative droughts," but things are working.
She doesn't really have a "secret."
"I dunno... I just kept doing what I do. I know what I like to create and explore, so that's what I focused on. And even though I pretty much hate marketing, I just kept putting myself out there. And I always did my own thing, not what others wanted me to do. After a few years, I suddenly realized that I had created my own niche and developed a following."
I can relate this to my own work, as well. I figured it would take me about five years to get clear on what I wanted to do and create. Then another five to make that commercially viable... little different from the "apprentice-to-master" process in most other fields.
I'm currently at year eight of ten.
It's A Bit Like Steemit...
In a sense, it's quite a bit like starting a blog here on Steemit.
You pretty much start with nothing... and whereas your first post might get a big welcome, that's not your success. You have to keep "producing" and "putting yourself out there."
You can chase gimmicks and popularity contests till you're blue in the face; you can try to create "what seems popular," but none of those create a solid foundation and lasting value like simply building your own audience around your own voice, vision and creativity.
"Rome wasn't built in a day," the saying goes.
So it goes with art and creativity.
Sure, there are overnight successes and "internet sensations," but they tend to be flashes in the pan-- accolades today, gone tomorrow.
So our limited advice is this: Stick to what you're doing, and keep doing it. Stay true to yourself, not to market fashions. And keep putting yourself out there!
DISCUSSION: What does success look like, to YOU, as an artist? Have you defined it? Do you already have it? What would you like it to be? Do you have a clear vision for your work? Are you ready to stay the course? Would love to have your comment feedback! And if you think this worthy-- share it with others through a re-steem, so more people can join the conversation.
The Red Dragonfly is an independent alternative art gallery located in Port Townsend, WA; showcasing edgy and unique contemporary art & handmade crafts by local and worldwide artists. All images are our own, unless otherwise credited. Where applicable, artist images used with permission.



haha, I have a recent work named foxglove too. I just noticed that name
foxglove
black biro on paper 70 X 50 cm.
Also, there were a couple of things more I wanted to say.
Just re-reading your comment and your post, about the famous artist known as sculptor, well, depends on if the watercolours are really part of the same work.
Richard Serra could not be more famous as a sculptor, but wouldn't be where he is if not for his drawings.
and think of Christo and Jean Claude, they are selling one thing (lithographs in general, but also drawings) to make the real work that they want to make and that makes the other work saleable, by it's very existence.
But if his sculpture is brutalist and his watercolours are floral arrangements, well, I agree with you.
And one other thing, but now I have forgotten. Oh yes, well done on the prints, I have never sold an original on Saatchi but I sold a lot of prints at first.
None for ages now, but I don't give saatchi the love I gave to steemit
In this case zero connection... large bronze sculptures and installations in public spaces mostly in Los Angeles, vs. watercolours that are basically "boating caricatures" because he happens to like sailing and used to be a political cartoonist for the LA Times.
touché
although depends on how prominent his life as a political cartoonist was. I know some big stars in Australia who were cartoonists, Moir, Leunig
It does sound to me like you could sell his watercolours as famous artist work, at famous artists prices.
We both know it would have more chance of selling high than selling low
cheers
thanks for the time spent replying
wow
good work thank you so much very nice
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