ULOG Part 011 # ink and historic colors are dominated by media choices with equally rich and complex traditions

in #ulog6 years ago (edited)

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Painting is a work of art that the process of making is done by painting paint with a brush tool, palette knife or other equipment, which memulaskan various colors and shades of color gradation, with a certain color depth also a certain color composition of color pigment color in solvent (or medium) and the gluing gene (glue) for water diluents, the bonding gene in the form of linen oil for oil paints with terpenthin diluents, on surfaces such as paper, canvas, or walls. This is done by a painter; with the depth of color and taste of the painter, this definition is used especially if it is the creator of a painting.

Modern and Contemporary Art has moved away from historic values ​​of craft and documentation that support the concept; this led some to say in 1960 that the painting, as a serious art form, was dead.

This also does not deter most painters who live from continuing to practice painting either entirely or partly from their work. The vitality and flexibility of painting in the 21st century belies the premature statement of its destruction. In an age characterized by the idea of ​​pluralism, there is no consensus on the style of representation of the times. Important works of art continue to be carried out in a variety of aesthetic styles and temperaments, remaining markets to assess achievement.

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In the need to decorate or add additional accents in the aesthetics of the room, painting often becomes the main accent and classy for its artistic value. Although it is actually a valuable piece of artwork not always identical to its economic value, but generally that happens. The need for painting as an interior accent more than the need of appreciation of a work of art makes many paintings are deliberately made for these needs, in other words paintings made for commercial purposes is not a manifestation of the process of work.

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