Making a Bamboo Jewellery Box: Part FivesteemCreated with Sketch.

in #wood9 years ago (edited)

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Finally, my friends, we have arrived at the end. Click here for parts 1, 2, 3, and 4.

Let's take a look at the vinegar strokes of this passion project.

Step 1: Engrave the Lid

I was going to do a more artful design. Butterflies or something. But that didn't feel right. It's not me. I opted instead for a considered geometric border, incorporating a semi-circle to surround a finger pull. For this, I harnessed and deployed all of my available OCD.

I thought about using a laser engraver but feel more comfortable with the ShopBot, so I just used that. As with a laser engraver, I thought I could mask off the design to make filling less messy. My big issue is that I do not want any surrounding wood grain to be filled with sanding dust.

I gave the top three coats of wax to fill this grain as much as possible, then applied some vinyl transfer paper, usually used for applying laser-cut decals.

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Sadly the spinning blade just chewed up the paper. I had to remove it.

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Step 2: Finish the Carcass

Before I worked any further on the lid I wanted to have the main box finished, not least because the stain needs to dry for eight hours before waxing.

This was a really gentle, methodical process.

First, I sanded off all the glue and proud joints with a combination of sanding block, sanding board, freehand sanding, and my trusty Lie-Nielsen low angle block plane. I highly recommend this tool for many fine woodworking tasks.

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Second, I applied a calm chamfer on every exterior apex using the block plane on a very low setting.

Third, I stained, left overnight, then waxed as per part four.

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I set the carcass aside.

Step 3: Fill the Engraving

There are many ways to skin a cat. I chose what turned out to be a difficult one.

I bought some light oak coloured wood filler which also claimed to match with golden pecan. I thought about staining it with my stain but that made it quite dark.

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So I just went with it straight.

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What a bloody mess.

I let the first layer dry then filled the rest.

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"Awful," I muttered.

Once dry, I started to sand flush.

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"Nothing good can come of this."

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Finally I had this atrocity. I wiped it down with a damp cloth, then sanded more finely, then wiped again, and used a blade to scrape out some of the dust from the grain. And I don't remember much else, but I finally had something half decent.

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Then, to firm up the potentially crumbly texture of the wood filler, I followed a man's advice on the internet...

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This was a huge mistake. I had not used the same filler as he, and instead of absorbing, it just sat on the surface. So when I sanded it again, I had patches of superglue and horror everywhere. I wiped it all with a damp cloth—which, annoyingly, rubbed in wenge dust to the filler—and moved on for now...

Step 4: Carve the Finger Pull

I had some lunch—my go to sandwich for the past couple of months from a recipe by @vegansilverstack. Delicious.

Then I went back to the workbench and was pleased with what I saw.

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This was a lovely step. I marked out my finger pull with a dime and a Stanley blade.

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Then I carved it with a lovely little General Tools carving tool gifted to me by my friend, Chad.

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Step 5: Fit the Lid

My original design was based on the approximate size of this piece of wenge I had. I only had to remove about 1/8" each side.

I thought about sizing it with the table saw but thought that would be too rough, partly because of the communal workshop's less-than-sharp saw blade. So I used my block plane and softly, softly coerced it to size.

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The fit was just tight enough for it to hold in place but also slide. This will change with seasons and humidity so I may need to revisit the fitting at wintertime. But for now it's close to perfect.

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Step 6: Finish the Lid

The filler was patchy in some places, and I broke out a piece of the back corner while planing. So I applied some filler and glue respectively.

Then I took off the arrises (the sharp edges) with a sanding block, cleaned out as much of the grain with a Stanley blade as my patience allowed, and finally waxed the bastard.

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Step 7: Offer to Wife

Yesterday was our three year wedding anniversary. I gave the finished box to my wife, who seems to like it. She filled it with jewels and we took it for a romantic day and night in San Francisco, of which more detail in an upcoming post...

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Analysis

This box took a lot longer than I expected but I have learned many lessons.

My chief finding was the difficulty using wood filler, or maybe just this kind of wood filler, for engravings. I think a much better idea would have been to procure some thick bamboo veneer (maybe 1/16" thick) and laser cut an inlay to fit the groove. That would look nicer and match the carcass better.

Actually I don't think I learned anything else.

What a ride! Thanks for joining me. Thanks xxx

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@lenskonig,
That would be a great post! I will try this out! Thank you very much for sharing your experience!

Cheers~

That came out perfectly i need to try this :D

Thanks, yeah give it a try! 🙂

Amazing amazing work!! I've enjoyed following each post about this jewelry box. I saw your post on your anniversary adventures and wondered about this box because I saw no mention of it. But, here it is! Oh the value it carries - sentimental I'd imagine and worth many pretty dimes.

Many thanks for your compliments. I briefly thought about putting it in the anniversary diary but felt it was a separate story. Salamat!

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