Evening spotted street scenes-2
This creative wave acts strangely: after walking, processing and publishing the material, I no longer want to shoot in this genre. But a couple of days pass and I'm ready to go out to search for spots again. And so every time.
And in between the spotted waves, I want to shoot postcard or landscape views of the city.
And with my soul I want graphics, abandoned villages and night courtyards...
There will always be a desire for something inaccessible, but as soon as it becomes available, then desires will spread to something else also inaccessible.
You can’t just take it and go do something, you always need some kind of motive and desire.
For a spotted straight, you also need to tune in to the wave and sometimes it may not even connect.
This will be accompanied by sluggish shooting, without much enthusiasm.
If you continue to shoot further in this state, then two outcomes are possible.
First: apathy for the plots will result in disgust.
Second: when successful results appear, apathy will immediately be replaced by enthusiasm.
In the second case, the number of successful shots immediately increases, fueling the enthusiasm even more.
So not every walk bears fruit.
But you don’t need to rely on only one desire, you often have to act contrary to it - this is the only way to achieve any heights.
Canon 5D mark IV, EF 100-400L