Dry grass graphics-3

I have been studying dry grass graphics for a long time. It all started in the fall and continued in the winter. Dry grass surrounds us always, except for summer, so in the spring I continued to observe and photographic experiments.

In spring, dry grass is interesting because it has a linearity. During the winter, it was crushed away with snow, which then melted, and the grass remained lying. It turned out, of course, for the most part graphic landscapes.

Just the patterns this time did not want to shoot.

This time, the dry grass graphics played as an additional way to get a black and white landscape, as a separate foreground element.

Any wide-angle lens with corrected distortion stretches the image in the corners, which enhances the dynamics of the composition.

I probably run ahead and show photos from one of the trips, which I will talk about later. But I think that it is not scary, since in this post only the subject of graphics is affected.

Even an ordinary black and white landscape is a completely different world and a different atmosphere.

In any journey you can remove two different materials, one of which will be associated with graphics. I slowly master this method of seeing a future photography. Previously, I could only shoot on one given topic, but now I can open in parallel two or three genres of photos from one trip. It is very interesting!

It turns out that dry grass is the most graphic natural element!

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Canon 6d, EF 17-35 / 2.8L