THE LOST DAUGHTER MOVIE REVIEW - netflix movies
At the beginning of the review of the movie The Lost Daughter, we knew her as a star with a great talent for acting, and from 2001 she began to prove her presence in “Hollywood” with roles and characters that weighed her career. This is Maggie Gyllenhaal, 44, the sister of the star “Jake Gyllenhaal” Al-Kabri, who started alongside him in the movie “Donnie Darko”, then went on to make her own record of cinematic and television works as well, the most important of which remains her appearance in the great epic of director “Christopher Nolan” “The Dark Knight” in 2008.
But over time, we discover the announcement of Maggie Gyllenhaal’s acquisition of the rights to a literary novel in order to turn it into a cinematic work by writing and directing it without her participation at the acting level. Cinematic assignments other than just acting.
But, contrary to all expectations, Maggie Gyllenhaal manages to deliver The Lost Daughter, one of the best drama films of 2021, written, directed, and wisely managing the various tools of the film industry, as well as leading a representative team of well-known names to appear in a decent way, and leave a sense of drama In an effective manner throughout the entire work, and most importantly, it ends the year with good and positive impressions on the audience's face and on the award experts and its nominations at all different film festivals.The Lost Daughter movie
The story of the movie The Lost Daughter
The film "The Lost Daughter " revolves around Lida Carso, a university professor who is on a summer vacation in a place, until a young woman named "Nina" and her young daughter draws her attention, and she begins to reminisce about her past when she was the mother of two daughters. Same age as Nina.
The Lost Daughter movie review
The script of the movie The Lost Daughter relies on two parallel lines of events, one of which is the main one that starts working from the beginning, and the other is a flashback about the character of the heroine “Lida” that is intense in its details and is interested in covering important aspects of Lida’s life so that the viewer understands the causality of the character’s actions and the psychological distress that Experiencing it while on vacation.
Here, "Maggie Gyllenhaal" was able to move very smoothly between these lines, and knew for the most part to choose the appropriate times that unleash important details about the character to emerge for a certain period of time, ensuring the dominance of the dramatic situation over all the events of The Lost Daughter, and ease of sympathy with the character And understanding some of the data from which we get to know “Lida” more and more as the film sequences pass one by one.
Another positive point that is in the interest of the scenario is the escalation of events and the progression of the plot forward in all lines. In the past, we see “Lida” making difficult decisions and entering the circle of altruism and self-preference at the expense of others, and this was evident in many situations and relationships with some personalities as We will see in the middle of the events, and in the present we see “Eda” burning from the inside and doing what is strange and irrational and in her view is the right thing that relieves her troubled feelings internally.
Therefore, it can be said that the script of The Lost Daughter is not small or limited in its ideas, but rather there is a great momentum of details that distance the film from any stretching or lengthening, and contribute to raising the dramatic situation and with a great and continuous effect during the follow-up from the beginning to the descent of the end sequences.
Contrary to the scenario, Maggie Gyllenhaal's philosophy is characterized by appropriate musical choices, appropriate camera manipulation in order to highlight the state of confusion and turmoil experienced by the character of "Ada", in addition to the focused frames on the characters revealing all their physical expressions, as well as the intelligent montage through which the shots are cut off. Especially those related to the past and the present easily and without feeling the presence of techniques used.
The best acting performance goes first to the star “Olivia Colman”, who is still aware of her acting choices after winning her first Oscar in “The Favourite” with director “Yorgos Lanthimos”, and presents a strong, tight and dramatic embodiment that is justified on the emotional level and completely devoid of any exaggerations in expressions and sense emotional.
And secondly, to the star “Jesse Buckley”, who had the greatest burden regarding the kinetic part of the film, which is based on some actions and excessive turmoil in dealing with her daughters, and presented it with distinction and with great skill that fully equals Coleman’s dramatic and Oscar performance, so to speak.
In conclusion, the success of The Lost Daughter may provide many opportunities in the future for “Maggie Gyllenhaal” to prove her capabilities as a promising writer and director, provided that she diversifies in the works she presents, and takes advantage of the progress directed at her in order to always appear in the best possible way in what is to come in the coming years. her career.